“The Beekeeper of Aleppo is about profound loss, but it is also about love and finding light”, Lefteri tells us. This is what she witnessed on the camps in Athens during her time as a volunteer. This is a work of fiction, yet its story line is as real as the lives of millions of refugees of war and famine.
Lefteri’s writing is marvelous, marked by poignant honesty and the lightness of early mornings. I held my breath, I shed tears and I smiled as Lefteri took me on Nuri and Afra’s journey from war-torn Aleppo to England, from the loss of their only son to a reconnection, from murder to overcoming an animal desire to kill, from the loss of a business to a newly found passion for training others to succeed, from blindness to vision, from bottomless sadness to relived giggles of companionship. Books like this are a great reminder not to judge anyone – you never know what the person has been through. We are all migrants on Earth, in a sense or another.
“The sinking of the Wilhelm Gustloff is the deadliest disaster in maritime history, with losses dwarfing the death tolls of the famous ships Titanic and Lusitania. Yet remarkably, most people have never heard of it”, Sepetys tells us why she wrote “Salt to the Sea” in the Author’s Note. The effort and extent of the research she went through, together with an impressive number of people, is truly admirable.
“Salt to the Sea” is a story of refuge to the west during the WWII. It dispels the myth that people in the West had it easy. Once again, as in “Between shades of gray”, Sepetys chooses to tell the story through the eyes of children and youth, who caused none of the atrocities, yet endured it all: “Abandoned or separated from their families, they were forced to battle the beast of war on their own, left with an inheritance of heartache and responsibility for events they had no role in causing.” Books like these acknowledge them in ways no history book does it. And this is why Sepetys deserves all my respect for her work.
Ruta Sepetys knows how to write a story. It was my first book by her. It was truly gripping, even for my ever busy brain. This novel is definitely one of my top 5 favorite fiction works.
An estimated 300,000 children were stolen from their birth parents and sold into adoption during and after the Franco regime in Spain. Sepetys made us see the story through the eyes of these children and their mothers. And she did that with a dignifying and respectful writing style. Some sceneries bring tears to eyes, some can make you laugh. I find it truly admirable that she manages to stay both proud and humble in her writing. I am looking forward to read more by her.
I am usually not a big fan of short stories. Yet, “A thousand years of good prayers” made me adore each story on their own unique merits.
The love story of Granny Lin in « Extra », the prison of shame in « After a life », the vulnerability to time of cultural figures in “Immortality”, the nobleness of keeping a promise in “Love in the Marketplace”, breaking away from the traditions in “Son”, emotional barriers to communication in “A thousands years of good prayers” are some of the themes we’ll find in the collection along with mythology and storytelling for a great authenticity of Chinese characters. In sum, such an exquisite mastery of the plots makes each story a fully fledged novel.
The interview with Yiyun Li included in this edition offers numerous insights and provides a glimpse into how she writes in her unique way. Highly recommended.
Yet another wonderful piece from the author of “Chocolat“. I enjoyed reading both. Harris’ pen manages to touch my inner chords by her distinguished touch to all that makes us human: our fears, our hopes, our pain, our aspirations. Her characters feel alive. And the scenery is vivid as we glance through the pages of the book, even on a Kindle. I could easily relate to the characters of this novel, especially Boise (i.e. Framboise).
The story, told by Boise, develops on a small farm run by a widow battling mental health issues, while raising her three children, against the WWII background in rural France. I loved that Harris chose to narrate events through the eyes of a nine year old. War, violence, relationships, food, housework – they all look different to children and adults need to learn to respect that. The story line is on rewind and forward, from Boise’s childhood to her adulthood, to remind us not to judge by appearances, as we never fully know what others went through.
The book picked my interest as I knew nothing about life in Malaysia. I absorbed its 476 pages in about ten evenings and was delighted by the richness of the story. The author invested two years in researching for and writing the book and she deserves acclaim for such a rigorous and respectful approach to her culture and inheritance. It also reinforces my belief that if history books would have been written by young women or ordinary elderly of those times, we would be reading something quite different.
In times of constantly changing circumstances, books like this help relativizing and reframing. The story of a widowed mother of 10, who succeeds as an entrepreneur in the turmoil of events of the first half of the 20th century, is a great reminder of the human phoenix power. “We each had power, if only we could harness it” is a highlight of the novel I’ll take with me.