I found this novel enchanting and best absorbed together with a mug of coffee with a pinch of nutmeg. Three female characters. A quest for God. A professor as a guide. Traditions and chains. Beliefs and confusion. Freedom and peace. Love and betrayal. Religion and faith. West and East. Luxury and poverty. … Only Elif Shafak can entangle them all for each of us to find what we are looking for.
My favorite quotes:
“There’s no wisdom without love. No love without freedom. And no freedom unless we dare to walk away from what we have become.”
“The degree of one’s emotions varies inversely with one’s knowledge of the facts.”, quoting Russell.
« Certainty was to curiosity what the sun was to the wings of Icarus. Where one shone forcefully, the other couldn’t survive. With certainty came arrogance; with arrogance, blindness; with blindness, darkness; and with darkness, more certainty. »
« Believers favour answers over questions, clarity over uncertainty. Atheists, more or less the same. Funny, when it comes to God, Whom we know next to nothing about, very few of us actually say, ‘I don’t know.’ »
Yet another wonderful piece from the author of “Chocolat“. I enjoyed reading both. Harris’ pen manages to touch my inner chords by her distinguished touch to all that makes us human: our fears, our hopes, our pain, our aspirations. Her characters feel alive. And the scenery is vivid as we glance through the pages of the book, even on a Kindle. I could easily relate to the characters of this novel, especially Boise (i.e. Framboise).
The story, told by Boise, develops on a small farm run by a widow battling mental health issues, while raising her three children, against the WWII background in rural France. I loved that Harris chose to narrate events through the eyes of a nine year old. War, violence, relationships, food, housework – they all look different to children and adults need to learn to respect that. The story line is on rewind and forward, from Boise’s childhood to her adulthood, to remind us not to judge by appearances, as we never fully know what others went through.
Realism is what Tyler is known for. This novel is infused with such a realism that I felt as if I was in the same room with its characters. So, if you a looking for a escapist reading, look somewhere else. Unless you want to escape to Baltimore of 1988, when the novel was published.
The story line has Maggie and Ira as main characters, whose marriage seems impossible yet lasting. In all they do, “Ira [is] forever so righteous and Maggie so willing to be wrong.” Other characters – their son, daughter, daughter-in-law, granddaughter – seem all to come into play just to testify to that. Tyler manages to make you pissed of with Maggie’ constant intrusion in other people’s lives, just to redeem the character towards the end, by revealing her sweet vulnerability and pure desire to help. Maggie and Ira’s quarrels throughout the novel made me smile at the thought about how much energy we spend on minor things in life, at the expense of what’s important: love, respect, empathy, courage to speak up and courage to shut up, sometimes.
The book picked my interest as I knew nothing about life in Malaysia. I absorbed its 476 pages in about ten evenings and was delighted by the richness of the story. The author invested two years in researching for and writing the book and she deserves acclaim for such a rigorous and respectful approach to her culture and inheritance. It also reinforces my belief that if history books would have been written by young women or ordinary elderly of those times, we would be reading something quite different.
In times of constantly changing circumstances, books like this help relativizing and reframing. The story of a widowed mother of 10, who succeeds as an entrepreneur in the turmoil of events of the first half of the 20th century, is a great reminder of the human phoenix power. “We each had power, if only we could harness it” is a highlight of the novel I’ll take with me.
I absorbed the book. It’s my first book by Al-Shaykh and I bet it is not going to be the last. Her writing is as honest and truthful as the crystal water of a mountain river. Listening to and making public the story of one’s mother is brave because it requires introspection and forgiveness of all.
The story of Kamila, Hanan’s mother, is both unique and telling of an era and society dominated by religious patriarchs. Forced child marriage, an early pregnancy, abandonment, dependence and poverty marked Kamila’s life, yet it did not bend her free spirit. She was illiterate, yet her wisdom is deeper than the prescriptions of many scholars. She had no social security, yet her wit and survival instinct enabled her to see all her children into adulthood through the turmoil of war and social change of her country.
I am humbled by the story. And similar stories of million of women who remain anonymous, yet without which we would not be standing here and now.
That was a fun reading. Light and thoughtful, loving and self-ironic. An introspective and retrospective view into inter and intra-generational relationships. An ode to youthful playful souls even when the replaced knees and pacemakers demand otherwise.
When I finished the book, I wanted to start reading it again. It delighted my soul. I laughed and I shed a tear, as I traveled in Eleanor’s shoes through her good days and bad days. It’s a good reading for those who believe in empathy and for those who want to give it a try.
The story touches one of the tabu’s in many societies – a mother’s violence against her own children. And the ensuing guilt of the child who tries not to upset her violent mother, even as an adult, even in her own imagination… And all it takes to overcome it – friends, a cat, a good boss and permission to say “enough is enough”.
My favorite line I’ll take with me: “It was such a strange unusual feeling – light, calm, as though I’d swallowed sunshine.”
“A book is a match in the smoking second between strike and flame” – a marvelous opening line. One can say the same about the human life on Earth.
“Lost for words » is a story of a long path to self-love and empathy. Loveday – the name of the main character – moves in the blink of an eye from a carefree childhood into the world of a child in foster care, as a result of domestic violence.
The story line is nonlinear and the flashbacks are moving as they are narrated through the eyes of a 10 year old caught in a family drama, which keeps reverberating in her adult’s life through the choices she makes. The story ends a bit abruptly to my taste, as if letting you wonder about what’s next. There is a charm in that, I think.