I found this novel enchanting and best absorbed together with a mug of coffee with a pinch of nutmeg. Three female characters. A quest for God. A professor as a guide. Traditions and chains. Beliefs and confusion. Freedom and peace. Love and betrayal. Religion and faith. West and East. Luxury and poverty. … Only Elif Shafak can entangle them all for each of us to find what we are looking for.
My favorite quotes:
“There’s no wisdom without love. No love without freedom. And no freedom unless we dare to walk away from what we have become.”
“The degree of one’s emotions varies inversely with one’s knowledge of the facts.”, quoting Russell.
« Certainty was to curiosity what the sun was to the wings of Icarus. Where one shone forcefully, the other couldn’t survive. With certainty came arrogance; with arrogance, blindness; with blindness, darkness; and with darkness, more certainty. »
« Believers favour answers over questions, clarity over uncertainty. Atheists, more or less the same. Funny, when it comes to God, Whom we know next to nothing about, very few of us actually say, ‘I don’t know.’ »
I am usually not a big fan of short stories. Yet, “A thousand years of good prayers” made me adore each story on their own unique merits.
The love story of Granny Lin in « Extra », the prison of shame in « After a life », the vulnerability to time of cultural figures in “Immortality”, the nobleness of keeping a promise in “Love in the Marketplace”, breaking away from the traditions in “Son”, emotional barriers to communication in “A thousands years of good prayers” are some of the themes we’ll find in the collection along with mythology and storytelling for a great authenticity of Chinese characters. In sum, such an exquisite mastery of the plots makes each story a fully fledged novel.
The interview with Yiyun Li included in this edition offers numerous insights and provides a glimpse into how she writes in her unique way. Highly recommended.
Yet another wonderful piece from the author of “Chocolat“. I enjoyed reading both. Harris’ pen manages to touch my inner chords by her distinguished touch to all that makes us human: our fears, our hopes, our pain, our aspirations. Her characters feel alive. And the scenery is vivid as we glance through the pages of the book, even on a Kindle. I could easily relate to the characters of this novel, especially Boise (i.e. Framboise).
The story, told by Boise, develops on a small farm run by a widow battling mental health issues, while raising her three children, against the WWII background in rural France. I loved that Harris chose to narrate events through the eyes of a nine year old. War, violence, relationships, food, housework – they all look different to children and adults need to learn to respect that. The story line is on rewind and forward, from Boise’s childhood to her adulthood, to remind us not to judge by appearances, as we never fully know what others went through.
I had a truly delightful time with this book. The writing style is as mesmerizing as a warm wind in spring. Flashbacks intertwine softly with stories into a story which is both moving and unemotional at the same time.
The story is narrated by Mr Stevens, a butler at Darlington Hall in its years of fame and prosperity. His British sense of duty and order teleports readers in the behind the scenes of one of the famous aristocratic house of the beginning of the 20th century. Politics, housekeeping, father-son relations, an un-lived love, intricacies of the butler’s profession make a fine story, where values of loyalty and integrity remain central.
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